Week 9
I read the Chicago Tribune and New York Times articles and
watched the embedded book trailers.
So-So impact…
Assignment 2:
The comment in the CT article rings very true: because
reading is an act of personal visual imagination, it’s impossible to “show” a
scene from the book, similar to a movie trailer, without probably repelling the
very readers it is meant to entice. I
see two current audiences for book trailers: ardent readers who search out
videos of their favorite authors to feel a further connection, and teen
readers, for whom book trailers are a routine way to discover new material to
read—as the NYT article points out so convincingly. In the first case, the Corporate Marketing
Machine has a new tool to create word of mouth; a compelling corollary would be
to have a bestselling author “blurb” a lesser-known author’s work. In the second case, a new generation is
growing up with a new art form/advertising angle. It’s going to be a very interesting twenty
years for publishing, and the book trailer can only increase its impact—once publishers
figure out how to best exploit them for profit.
Re: readers’ advisory?
It would be fun to point out the existence of book trailers to avid
readers who are unaware of them. In
their current incarnations, however, I don’t see book trailers being of much practical
use for readers.
Assignment 3:
This was an extremely well-planned and presented training
opportunity. The segments were cohesive
and challenging. I liked seeing how
colleagues progressed and seeing their comments—it made it almost interactive,
beyond the two instances of being required to comment on another’s blog
posts. I’ve learned a lot about electronic
resources that I was unaware of before, and I am certain that I will continue
to use segments of this training in the years to come.
(Whew!!)
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